Timothy Chen | Level Design Showcase

  • Overview
  • Workflow
  • Landmark & Connection Paths
  • Exploration
  • Pacing
  • Level Flow
  • Rewarding Activity
  • Contact & Resume
  • Level Design Overview - Open World Action

    Inspired by 'The Legend of Zelda: Breath Of The Wild'.

    Project requirement and focus:

    • Player Guidance: hierarchal point of interest.

    • Environmental Storytelling: with landmark & environment & landscape design.

    • Game Pacing: spatial design (Visually Revealing And Blocking Content).

    • Rewarding Activity & Puzzle: activity and reward system.

    • Allows Free Will: triangle rule (roadblock creates multiple paths).

    Workflow

    1. Pre Production: analysis to understand the game, concept development as the backbone of the development , then collect references for ideas.

    2. General Path: establish explore direction as the backbone.

    3. Landmark & Connecting Paths: divide level into areas and connecting paths.

    4. Exploration & Gameplay: further divide area for pacing, then, design and place the activity.

    5. Level Review And Optimization Cycle: make sure level meets requirement.

    Image shows my pre production step, includes analysis on Zelda explore cycle, core concept humidity bar, and reference images.

    General Path - Macro - Long Video Linked

    In this step, blocking out the landscape allows us visualize the position and elevation of the landmark.

    • Building Foundation: general path and its direction make it possible to further divide path into section with only one direction to focus.

    • Collaborative Planning: This step also create space for design that require collaboration among different profession and have major impact on the development.

      • For example, the inner sea design, environmental storytelling from the lore that the sky city fallen onto this originally a single island countless years ago.

      • Further explore this design, combined with humidity system that makes player avoid water, this allows us to hide a explorable ruin in the inner sea, one has always been accessible for the player, provided with the dry state of the humidity system, but the player just didn't know.

    Landmark & Connecting Path

    In this step, I blockout and adjust the visibility of each landmark, then I plan the connecting paths.

    • Landmark - Strong Point Of Interest: High level attraction, after player woke up from the beach they would be attracted by a large wrecked ship. (Image L)

      • The design of of the wrecked ship as landmark is to, in the beginning of the game, combing with boxes on the beach misguiding the player to think that they have encountered a storm, preparing for story reveal.

    • Connecting Path - Branches Of The Path: by connecting landmark with multiple paths, player can choose their most interested path, each branch can then be further divided into smaller sections, allowing meaningful player decision making (free will).

    • Image right shows that the forest is connected to the road visually by attraction of the house.

    Interest Driven Exploration

    In this step I blockout the 'road' that the player would actually be walking on.

    • Designing Webs - Further Divided Path: following the 'branches', each path can be make into a web includes multiple sub-path, and not just for allowing free will, but also consider exploration experience, like the placement of the activity, challenge and surprise (Image L).

    • Player Guidance - Point Of Interest: seamlessly exploration guidance (Image R).

      • Collectible items:Used to suggest off-road paths, lead to new areas, or indicate shortcuts.

      • Statue and landmark (right yellow)A statue points to a distant landmark, drawing attention and hinting at its significance.

      • Road:Direct but not always the easiest path between landmarks.

      • Hole in a ruin (left yellow) + dirt road: Suggests the presence of creatures, inviting exploration and intrigue.

    Gameplay - Planning and Pacing

    In this step, I blockout each gameplay element and adjust the pace by placing natural element like rock, tree or sand in between.

    • Requirement: top-left image shows required activities needed for instructional area, and my placement planning, with a focus to pacing by blocking one activity from another visually.

    • Pacing Goal: (1~3) build surprise to hook, (4~7) series of small challenge building excitement, (9~10) reach climax with a big combat challenge.

    • Note That: specific cases of spatial design used in pacing would be shown in the following level flow section.

    Gameplay - Level Flow - Instruction Area

    01. wake up, sees collectable item leading player to climb up the rock.
    02. after climbing, surprised by hidden item, hook the player into exploration by rewarding experience.
    03. turn around, attracted by the landmark, but decided to approach the more accessible item.
    04. get close to item, sees the hidden enemy behind the rock! sneak and kill it!
    05. fight the other enemy after it was alarmed by the noise! learn to dodge attack.
    06. after fight, attracted by the collectable coconut, and get distracted by the hidden activity, attracting the player to jump on the stone one by one.
    07. At the end of the activity, get rewarded then sees the next attraction.
    08. but get back to collect the left coconut first. reinforcing climbing.
    09. get back to the attraction
    10. over the hill, sees challenging combat!!!!
    11. after challenge, notice the landmark is just next to the corner! But collecting fruit is probably more important.
    12. follow along the, and suddenly, a treasure behind the rock? this must be from the ship!
    13. Umm, the roads and, but there is a fruit on top of the rock, maybe i should try climbing?
    14. Wow, A is that a puzzle? I wonder what that is on the next rock. But for now, I should hop on the stone and collect my reward.
    15. Reward Granted, now let climbing and tryout the puzzle.
    16. climb up, sees the treasure
    17. learn about woodbug, pick them up and throw, woodbug web a bridge
    18. finally collect the treasure!!!!

    Gameplay - Interesting & Rewarding Activity

    • Rewarding: After experiment and analysis, I concluded an interesting level's activity needs to connect to a reward system, so activity is meaningful.

    • Interesting: Studying Zelda:BOTW I learned that the activity itself needs to be interesting or satisfying. On the level flow section, the stone hopping activity is a good example, inspired by my childhood tile hopping game.

    Activity System Documentation

    Implementation guide for team, with video and blueprint images.

    Activity System Design

    The mind map on the left side show 4 component of the activity system, right side shows a walk through of player completing a activity

    Extra Image Collection

    This image shows the result of my first attempt in detailed level design, and obviously i was in the wrong direction. But luckily, I shares my work with the community, so i was able to adjust my direction in level design very quickly.
    The blockout technique used here is suggested by one of our environmental artist, it worked really well.
    A ruler I made for blockout, it shows the player's hitbox size, and their jump length, works well, learned this technique in a level design book called "In pursuit of better level design".
    This is another image of my blockout, which is also out of direction.
    One of the challenge I encountered is that my spatial design is often blocked by the blockout of our environmental artist in the beginning of the development, in order to solve this, we put a long stick mesh in the level to visualize the sight of the player, which resolve the problem.
    Inside the forest, I really love this area because i personally have never experience this feeling of walking above a mysterious forest, the contrast here is really new to me.

    Contact & Resume

    • Email: tim44904650@gmail.com
    • Address: Martyniuk PL 6091, Richmond BC, Canada
    • Phone: 778-325-4365
    • Download Resume

    Credit:

    • Sassy: Assets & Art
    • Sunnior: Programming
    • Rauch: Sound Design
    • Roshan: Sound Track
    • Timothy Chen (Me): Management, Level Design, Programming, Game Design